technical ecstasy造句

例句与造句

1. "Heaven and Hell " was recorded at the Criteria Studios in Miami ( the same studio in which the band had recorded " Technical Ecstasy " ) and Studio Ferber in Paris.
2. The sleeve for the album was the second ( following " Technical Ecstasy " ) by Hipgnosis and the US and UK releases differed slightly in the faint images of British military pilots seen in the sky.
3. With fans now awaiting the follow-up to " dorkrockcorkrod ", the band returned to Technical Ecstasy with Chris Pierce and emerged with the 7-track album " Jersey's Best Prancers ".
4. During the subsequent 1977 Australian tour in support of " Technical Ecstasy ", the band was supported by AC / DC . An altercation occurred in an hotel bar in which Butler removed a switch-blade comb from his pocket and opened it.
5. They noted that " the magical chemistry that made such albums as " Paranoid " and " Volume 4 " so special was beginning to disintegrate " . " Technical Ecstasy ", released on 25 September 1976, was also met with mixed reviews.
6. It's difficult to find technical ecstasy in a sentence. 用technical ecstasy造句挺难的
7. After a few tours around the United States, the band entered Technical Ecstasy Studios with Chris Pierce to record their first full length . " Dorkrockcorkrod " was originally released on CD by Whoa Oh on June 15, 2004 ( and on vinyl in 2005 by Don Giovanni Records ).
8. After the albums " Technical Ecstasy " and " Never Say Die ! " were critically panned, Iommi and Butler decided that Sabbath needed a fresh start, so in the summer of 1979, they fired Osbourne and replaced him with Ronnie James Dio, the former vocalist for Tony Martin and Ray Gillen.
9. Meanwhile, in the studio, Tony ( Iommi ) was always saying,'We've gotta sound like booze and the drugs " during the recording of " Technical Ecstasy ", eventually checking himself into the Stafford County Asylum upon his eventual return to England . " That was the beginning of the end, that one ", bassist Geezer Butler confessed to " Guitar World " in 2001 . " We were managing ourselves because we couldn't trust anybody.
10. The album received mixed reviews upon its release, with Phil Alexander writing in 1998, " While today hardcore Sabs fans defend some of the bold steps taken on " Technical Ecstasy ", it was a confused offering which still hit Number 13 in the UK but limped into the US charts at 52 . " In 2001, " Guitar World " magazine was less kind in its appraisal, calling it perhaps the " least-loved effort of the original lineup " with the band " trying to stretch its sound in several different directions, none of them exceptionally successful . " It deemed " Rock'N'Roll Doctor " " a bad Mojo " magazine opined, " " Technical Ecstasy " is the sound of Sabbath trying to make a grown-up, radio-friendly rock record and, in some parts, it works . . . Mostly, however, it doesn't with tracks like'Back Street Kids','Rock'N'Roll Doctor'and'Dirty Women'resorting to clich閐 and ill-fitting rock moves . " Greg Prato of " AllMusic " agrees that " it was not on par with Sabbath's exceptional first five releases, " but praises " Dirty Women ", the " funky " " All Moving Parts ( Stand Still ) " and the " raging opener " " Back Street Kids ".
11. The album received mixed reviews upon its release, with Phil Alexander writing in 1998, " While today hardcore Sabs fans defend some of the bold steps taken on " Technical Ecstasy ", it was a confused offering which still hit Number 13 in the UK but limped into the US charts at 52 . " In 2001, " Guitar World " magazine was less kind in its appraisal, calling it perhaps the " least-loved effort of the original lineup " with the band " trying to stretch its sound in several different directions, none of them exceptionally successful . " It deemed " Rock'N'Roll Doctor " " a bad Mojo " magazine opined, " " Technical Ecstasy " is the sound of Sabbath trying to make a grown-up, radio-friendly rock record and, in some parts, it works . . . Mostly, however, it doesn't with tracks like'Back Street Kids','Rock'N'Roll Doctor'and'Dirty Women'resorting to clich閐 and ill-fitting rock moves . " Greg Prato of " AllMusic " agrees that " it was not on par with Sabbath's exceptional first five releases, " but praises " Dirty Women ", the " funky " " All Moving Parts ( Stand Still ) " and the " raging opener " " Back Street Kids ".